Museum Of The Americas, A Rare Gem In Old San Juan, PR

The Museum Of The Americas occupies the entire second floor of the Ballajá Military Barracks in Old San Juan

The Muse­um Of The Amer­i­c­as occu­pies the entire sec­ond floor of the Bal­la­já Mil­i­tary Bar­racks in Old San Juan

Most peo­ple that vis­it Puer­to Rico come here because of a hand­ful of rea­sons. Some come because of the beach­es.  Oth­ers come because of the Span­ish forts in Old San Juan.  Still oth­ers come because of the mar­velous Puer­to Rican cui­sine and the trop­i­cal cli­mate. But very few come because of our museums.

Well, let me tell you.  That’s a shame, because Puer­to Rico has sev­er­al muse­ums that are absolute­ly breathtaking.

Yes­ter­day I vis­it­ed one of those muse­ums.  The fun­ny thing is that I had lit­er­al­ly walked by this place hun­dreds of times and nev­er took the time to check it out.  Well, that was my loss.

The Muse­um of the Amer­i­c­as opened its doors in Octo­ber of 1992 as an ini­tia­tive of the Puer­to Rican Com­mis­sion for the Com­mem­o­ra­tion of the Fifth Cen­te­nary of the Dis­cov­ery of Amer­i­ca.  On that occa­sion the Island host­ed the Christo­pher Colum­bus Regat­ta for which tall ships from all over the world met at San Juan Har­bor for two con­sec­u­tive weeks.

The Ballajá Military Baracks are the last and largest military building built by the Spaniards in the New World.

The Bal­la­já Mil­i­tary Baracks are the last and largest mil­i­tary build­ing built by the Spaniards in the New World. (click to see the image larger)

Many his­tor­i­cal build­ings in Old San Juan were refur­bished to cel­e­brate the Fifth Cen­te­nary of the Dis­cov­ery of Amer­i­ca includ­ing the Bal­la­já Mil­i­tary Bar­racks (where the Muse­um of the Amer­i­c­as lives today), the Asi­lo de Benef­i­cen­cy (house of the poor) across the street and the Colo­nial San­i­tar­i­um (Man­i­comio Munic­i­pal) where the “Escuela de Artes Plás­ti­cas” (School of Plas­tic Arts) lives today.

The Quin­cen­ten­ni­al Square that sits imme­di­ate­ly to the east of the Bal­la­já Mil­i­tary Bar­racks, with its majes­tic “Totem Teluri­co” on the south cen­ter side was also built for that occasion.

Well, yes­ter­day morn­ing, after 22 years, I final­ly got around to vis­it­ing the Muse­um of the Amer­i­c­as.  And boy had I missed out on a great expe­ri­ence!!!  And its a pity because, accord­ing to our guide Diana Linares, most Puer­to Ricans nev­er vis­it it either.

The first thing I can tell you about “El Museo De Las Améri­c­as” is that it’s huge!  It takes up the entire sec­ond floor of the Bal­la­já Mil­i­tary Bar­racks build­ing.  And just so you know, the Bal­la­já Mil­i­tary Bar­racks were the last and largest mil­i­tary build­ing built by the Spaniards between 1854 and 1864 in the New World.  So plan to spend at least a cou­ple of hours at the Muse­um of the Americas.

Dur­ing our vis­it we had the priv­i­lege of hav­ing an excel­lent guide who took us through the entire muse­um and explained every exhib­it in great detail.  But this is not the norm.  Most vis­i­tors explore the muse­um on their own unless they are part of a larg­er group or they have made some sort of arrange­ment in advance.  How­ev­er, there are trained guides in every hall who will glad­ly answer all your questions.

Ricardo Alegría

Ricar­do Alegría

The “Museo de las Améri­c­as” was the brain­child of Don Ricar­do Ale­gría, one of Puer­to Rico’s most staunch defend­ers of Puer­to Rican cul­ture, and Direc­tor of the Puer­to Rico Insti­tute of Cul­ture at the time.  The entire facil­i­ty is ded­i­cat­ed to dif­fer­ent facets of Puer­to Rican and Amer­i­can cul­ture.  And that includes exhibits about North, Cen­tral and South Amer­i­ca as well as the Caribbean.

When you enter the muse­um you go back in time to a place where man and nature lived in uni­son.  The first exhib­it is titled “El Indio En Améri­ca” (Indi­ans In Amer­i­ca).  Its a per­ma­nent exhib­it ded­i­cat­ed to the Island’s orig­i­nal Taíno Indi­ans as well as the orig­i­nal eth­nic groups that set­tled the Amer­i­can con­ti­nents, twen­ty-two of which still exist and strug­gle to sur­vive in a post colo­nial world.  This exhib­it was opened to the pub­lic in 2006 and it’s still one of the most pop­u­lar in the museum.

Taíno village.

Taíno vil­lage. Click on image to see it larger

There are all sorts of graph­ic and audio­vi­su­al exhibits in this hall but the one thing that makes it unique are the 23 hyper­re­al­is­tic sculp­tures by Swedish-Peru­vian artist Felipe Let­ter­sten, who is fond­ly referred to as “Felipe el escul­tor”  (Felipe the sculp­tor) among the muse­um’s per­son­nel.  Let­ter­sten made it his mis­sion in life to explore the Amer­i­c­as (the Ama­zon area most­ly), find these indige­nous tribes and sculpt fiber­glass stat­ues of a rep­re­sen­ta­tive of each tribe. He suc­ceed­ed in sculpt­ing all of the tribes with the notable excep­tion of the Jíbaro Head Hunters of Ecuador and Peru, who he avoid­ed for obvi­ous rea­sons.  He also kept his promise and returned to each tribe to deliv­er a copy of their par­tic­u­lar stat­ue to the tribe’s elders.  His sculp­tures were one of the cen­ter­pieces of the Com­mem­o­ra­tion of the Fifth Cen­te­nary of the Dis­cov­ery of America.

Towards the end of this exhib­it there is an excel­lent 30-minute doc­u­men­tary (avail­able in Eng­lish or Span­ish) that describes Felipe Let­ter­sten’s jour­ney along 48 rivers and among the 22 tribes that he vis­it­ed dur­ing his life­time, how he dealt with the dif­fer­ent native cul­tures, how the actu­al stat­ues were made and how he kept every one of his promis­es with the tribe elders.  Once you watch this short pro­gram you will tru­ly under­stand the immense impor­tance of this hall.

The American Sabor exhibit will be available until July 6, 2014

The Amer­i­can Sabor exhib­it will be avail­able until July 6, 2014

After leav­ing the “Indi­ans In Améri­ca” exhib­it we entered an itin­er­at­ing exhib­it cre­at­ed by the Smith­son­ian Muse­um in Wash­ing­ton, DC titled “Amer­i­can Sabor… Lati­nos in US Pop­u­lar Music”.  Now, I’m what they call a “baby boomer”.  So most of what’s on exhi­bi­tion in this hall hap­pened dur­ing my life­time.  So what can I say.  I loved it!!!

Tito Puente exhibit

Tito Puente exhib­it. Click on image to see it larger.

There were exhibits about Israel “Cachao” López, Arturo San­doval, Glo­ria Este­fan, Tito Puente, Celia Cruz, Tito Rodríguez, Pérez Pra­do, Machi­to, Dad­dy Yan­kee, René Pérez “Calle 13”, Willie Colón, Héc­tor Lavoe, The Fania All Stars, Eddie Palmieri, Rubén Blades, Car­los San­tana, Joan Báez, Sheila E., Los Tigres del Norte, Richie Valens, Lin­da Rond­stat, Herb Alpert and the Tijua­na Brass, Sele­na, Fred­dy Fend­er and many, many more.

Those who are in the mood for dancing can do that too.

Those who are in the mood for danc­ing can do that too. Click on image to see it larger

Many of the exhibits had but­tons which allowed you to lis­ten to the artist and there was even a danc­ing floor with an actu­al juke­box were you could dance to your favorite tunes.

So if you like Lati­no music and you’re vis­it­ing San Juan before July 6, 2014 make sure to enjoy this exhibit.

Right after we left the “Amer­i­can Sabor” exhib­it we entered a small­er hall were there’s an exhib­it titled “De Bar­rio Obrero A La Quince”, which in Eng­lish would be some­thing like “from the work­er’s neigh­bor­hood to stop 15”.

De Barrio Obrero A la Quince Exhibit.

De Bar­rio Obrero A la Quince Exhib­it. Click On Image To See It Larger

I know, for most peo­ple who are unfa­mil­iar with Puer­to Rico this will make no sense, but let’s just say that at one point in Puer­to Rican his­to­ry “Bar­rio Obrero” was a neigh­bor­hood where most peo­ple were blue col­lar work­ers and “La Quince” was where bus stop #15 was in the San­turce area.  So essen­tial­ly what the name does is describe an area from one point to anoth­er.  It’s also the name of a pop­u­lar sal­sa tune.

de-barrio-obrero-a-la-15-museum-of-the-americas-old-san-juan-puerto-rico-by-gps-orlando-mergal-300px-14

De Bar­rio Obrero A la Quince Exhib­it. Click On Image To See It Larger

In any case, dur­ing the 50’s and 60’s this was fer­tile ground for musi­cians and singers, who would meet at “cafetines” (small cafes) in the “Bar­rio Obrero” and Stop 15 areas.  Many of Puer­to Rico’s most pro­lif­ic artists got their start in this area includ­ing: Gilber­to San­tarosa, Ismael Rivera, Rafael Cor­ti­jo, Andy Mon­tañez, Tom­my Tor­res, Tite Curet Alon­so, César Con­cep­ción, Car­mi­ta Jiménez, Car­men Delia Dip­i­ni, Dan­ny Rivera, Tito Hen­ríquez, Cano Estremera and many more.

Slavery, one of the darkest chapters in our history

Slav­ery, one of the dark­est chap­ters in our his­to­ry. Click on image to see it larger.

Puer­to Ricans have a unique mix of cul­tur­al back­grounds.  Many words, dish­es and even cer­tain per­son­al­i­ty traits come straight from their Taíno ances­try.  Their lan­guage and way of life is heav­i­ly influ­enced by their Span­ish her­itage.  But, while most Puer­to Ricans can be con­sid­ered “mulatos” (a tan col­ored skin made up the mix­ture of Indi­ans, Spaniards, African slaves and —yes— even Amer­i­can blood), when it comes to music, food and an over­all love for a good par­ty, their “African” her­itage comes to the surface.

Trapiche de Sangre. “Blood Press”. Sometimes slaves would slip while pressing sugar cane and the arms would be crushed.

Trapiche de San­gre. “Blood Press”. Some­times slaves would slip while press­ing sug­ar cane and their arms would be crushed. Click on image to see it larger.

And that’s what the next hall was all about.  It’s called “La Heren­cia Africana” (the African Her­itage) . It’s a per­ma­nent exhib­it that cov­ers every aspect of how African peo­ple arrived at Puer­to Rican shores, what part of Africa they came from and how they have influ­enced almost every aspect of dai­ly life on the Island.

More impor­tant­ly, it cov­ers how Africa was —in fact— the cra­dle of human­i­ty and how African civ­i­liza­tion was of para­mount impor­tance for oth­er civ­i­liza­tions that have brought us to what we have today.

Africans influenced our literature, our music, our art, our diet, our love for dancing and many other aspects of our culture.

Africans influ­enced our lit­er­a­ture, our music, our art, our diet, our love for danc­ing and many oth­er aspects of our cul­ture. Click on image to see it larger.

This hall has excel­lent exhibits about slav­ery on the Island, how Puer­to Rican abo­li­tion­ists were among the first and most vocal in Amer­i­ca and the influ­ence of Africans in our lit­er­a­ture, our music, our art, our diet, our love for danc­ing and many oth­er aspects of our culture.

So how did all this come to be?  Well, there was once this Ital­ian dude called Christo­pher Colum­bus that con­vinced the queen of Spain to finance a crazy trip to Cipan­go (present day Japan) that result­ed in the acci­den­tal dis­cov­ery of an entire­ly new world.  Talk about get­ting lucky!!!

Conquista y Colonización. The story of how it all started and how we got to where we are today.

Con­quista y Col­o­nización. The sto­ry of how it all start­ed and how we got to where we are today. Click on image to see it larger.

And that’s what’s cov­ered in the next exhib­it called “Con­quista y Col­o­nización” (con­quest and col­o­niza­tion). This per­ma­nent exhib­it cov­ers every aspect of the Island’s 500+ years of his­to­ry, from the Span­ish con­quis­ta­dors, their Catholi­cism and the emer­gence of Puer­to Rico as one of the most impor­tant trade cen­ters of the Caribbean, to the last 100+ years, from the Amer­i­can inva­sion in 1898 to present day Puer­to Rico.

Artes populares en América, the hall that started it all.

Artes pop­u­lares en Améri­ca, the hall that start­ed it all. Click on the image to see it larger.

And final­ly we reached the last per­ma­nent exhib­it, which was actu­al­ly the orig­i­nal one when the muse­um opened its doors back in 1992.  This hall is called “Las Artes Pop­u­lares En Améri­ca” (Folk Arts In The Améri­c­as). Togeth­er with the first hall (Indi­ans In Améri­ca) this is one of the favorite exhibits in the entire museum.

It cov­ers all aspects of Puer­to Rican and Latin-Amer­i­can cul­ture from bas­ket weav­ing, pot­tery, leather­work, rus­tic archi­tec­ture, typ­i­cal gar­ments, musi­cal instru­ments and reli­gion.  It also has a unique col­lec­tion of hand-carved wood­en saints “san­tos de madera” donat­ed by the fam­i­ly of muse­um founder Don Ricar­do Alegría.

Hand-carved wooden saint collection

Hand-carved wood­en saint col­lec­tion. Click on image to see it larger.

The Muse­um Of The Amer­i­c­as is open to the pub­lic Tues­days thru Fri­days, from 9:00am to 12 noon and from 1:00pm to 4:00pm.  It also opens Sat­ur­days from10:00am to 5:00pm and Sun­day after­noons from12:00 noon to 5:00pm and every 3rd Thurs­day of the month dur­ing the night­time for spe­cial exhibitions.

And the admis­sion?  Well, that’s the best part.  You won’t break the bank.  Admis­sion to this mar­vel of a muse­um is only $6.00 for adults and $5.00 for chil­dren, senior cit­i­zens over the age of 65 and stu­dents with ID cards.  For more infor­ma­tion call: 787–724-5052 or vis­it their web­site at: http://www.museolasamericas.org.

So there’s no excuse not to spend a cou­ple of hours in this won­der­ful facil­i­ty and learn all about the his­to­ry of Puer­to Rico and its neigh­bor­ing Amer­i­can countries.

Now, there’s one thing that I have to admit.  I did­n’t ask if pho­tog­ra­phy is allowed.  Of course, I took lots of pic­tures because I was cov­er­ing the muse­um for Puer­to Rico By GPS.  But, of course, that does­n’t nec­es­sar­i­ly mean that any­one tot­ing a cam­era would be allowed to do the same.  So ask first and save your­self the hassle.

And one last thing!  I shot lots of video too.  So I’ll be post­ing a sep­a­rate video on YouTube in about a week or two.  I’ll let you know when that happens.

Enjoy Puer­to Rico,

©2014,Orlando Mer­gal, MA
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Bilin­gual Con­tent Cre­ator, Blog­ger, Pod­cast­er,
Author, Pho­tog­ra­ph­er and New Media Expert
Tel. 787–750-0000, Mobile 787–306-1590

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